Exhibits and What's New!

 

 

Amber Robles-Gordon
Milked, 2010, 30x30 on canvas

Jamea Richmond-Edwards
Unforsaken, 2010, 18x24 on canvas

Jamea Richmond-Edwards and Amber Robles Gordon:
Pretty Things, Little Treasures and Hidden Meanings

Friday September 3- Friday September 17, 2010

WASHINGTON, D.C. — The Gallery at AYN Studio in the Penn Quarter neighborhood, will present an exhibition of collage and assemblage creations by artists Jamea Richmond-Edwards and Amber Robles-Gordon entitled, “Pretty Things, Little Treasures and Hidden Meanings”. The exhibition will open on Friday September 3, 2010 with a public reception from 6:30-8:30 pm. The exhibition will remain on view by appointment until Friday September 17, 2010.

“Pretty Things, Little Treasures and Hidden Meanings” is inspired by the themes in their work that convey the feminine mystique. Both women focus on their personal stories and the roles of women in society. The “Pretty Things” refers to the physical beauty and the sentiment that women attribute to the things they collect and adorn themselves with. “Little Treasures” are the intricate details that create the narratives. The “Hidden Meanings” are the various images and concepts that encompass the feminine mystique, yet reproduce social norms that confine.

This exhibition is the product of an artistic partnership and dialogue about emerging women artists. The dialogue began about how to navigate through the art world and challenge the notion of the individual and isolated artist. The two artists met while working on their MFA’s at Howard University and through their affiliation with Black Artists of DC. They discovered commonalities in their work and decided to partner and exhibit works focusing on womanhood.

Detroit native Jamea Richmond-Edwards studied painting and drawing at Jackson State University.

She primarily paints women and is influenced by childhood memories and the complex lives of the women in her life. She has developed her own unique style of mixed media portraiture using paper, graphite, and ink.

Amber Robles-Gordon is an artist, student, and native of Puerto Rico. She is currently finishing her Masters in Fine Arts at Howard University. Her medium is collage and assemblage. She focuses on fusing found objects to convey her own personal memories, inspired by nature, womanhood, and her belief in recycle energy.

Artist work can be viewed at www.jamearichmondedwards.com, www.amberroblesgordon.com

Interview Contact and to make appt: Amber Robles Gordon
Telephone: 240-417-4888

Contact: The Gallery at AYN Studio
923 F St. NW Suite#201,
Washington, D.C. 202-271-9475
http://www.aynstudio.com/ gediyon@AynStudio.com

 
 

African American Art Alive in the District:
Partnerships, exhibitions help the Black Artists of D.C.

In a city with a changing art scene, 10-year-old organization Black Artists of D.C. fosters a community of support and inspiration.

Amber Robles-Gordon is an African American artist who teaches yoga and pilates, organizes art workshops, and writes an art blog.

“[My work is] colorful, intuitive, and abstract,” Robles-Gordon said of her art, which includes three-dimensional pieces, collages and paper mosaics.

Robles-Gordon’s work was recently featured in an exhibition at the D.C. Arts Center called “Black” that focused on artists’ personal perceptions of blackness. Her work personifies a growing black art movement in the District that is often overlooked.

A Supportive Art Family

Since 2004, Robles-Gordon, 32, has been active in Black Artists of D.C., a growing art organization with about 400 members.

“I just jumped in, and at that time there was a wonderful group, but there wasn’t a whole lot of structure,” she said of the organization, which elected her president in 2009.

Robles-Gordon has been a leader in the group since she joined, curating exhibits and publicizing the organization. She cites Black Artists of D.C. as a major support system.

“My family’s not here,” she said of relatives in her native Puerto Rico, “so I was searching not only for artists; I was also searching for family, and it was like I inherited an artistic family.”

The group, which partners with other organizations and has strong ties to Howard University, provides inspiration to Robles-Gordon and other members.

“Beyond what they gave me in terms of love and support, I also learned so much,” she said.

Read more and view interviews with artists Amber Robles-Gordon and Michael Platt, Janell Blackmon,art history professor at Howard University and Norman Parish owner of the Parish Gallery in Georgetown... http://onlinejournalismworkshop.com/artists/story.html

 

!!!!!!!!!!!Exhibitions !!!!!!!!!!!!

 

Reclaiming Those Negative Images:
Mixed Media Reflections Exhibit at The Corner Store Gallery

Amber Robles-Gordon's "Cosmic Black 2" is one of the works on display at the Corner Store Gallery"

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Reclaiming Those Negative Images
Feb. 16, 2010
By Kristin Coyner
Roll Call Staff

Oftentimes, there’s more talent under our noses than we realize. That’s certainly true when it comes to “Mixed Media Reflections,” a new gallery at the Corner Store, a multiuse arts space at 900 South Carolina Ave. SE.

Alec Simpson and Tray Patterson, both Washington artists, are acting co-curators for the gallery. Simpson, who often deals in abstract art, is one of 12 Washington-area African-American artists whose works are on display.

The idea for the show started rather simply, over a meal between Patterson and Simpson.

“We just got together over lunch one day and decided to put on a show last fall,” Simpson said.

In light of Simpson’s own success last year with a one-man show at the Corner Store — Simpson sold all his small works in “Flashback/Fast Forward” — it followed that the planners focused on small works. “In view of what people were saying about the economy, we just thought that maybe we’d stick with that concept,” Simpson said.

All works at the gallery are on sale for $240 to $1,000.

“We didn’t have any idea how many artists there would be in it, how many pieces there were going to be, how big they were going to be, but we did know that we didn’t want them to be priced out of the market,” Simpson said. With the theme of Black History Month, the mixed media motif pulls everything together.

Stepping into the front room of the Corner Store, where the works are on display, is a treat. The front space is warm and beautiful, with colored walls and exposed brick. The artists’ works are accentuated by the lack of a modern white-walled space.

As for the works, some pieces use found objects, others use silk, some are on ceramic and still others are on paper. One artist, Alonzo Davis, even uses bamboo poles and fabrics.

The show is a mixture of materials and artistic styles, but the works manage to tie to the theme of Black History Month in a compelling way. All the artists in some way touch on the African diaspora, from clear visual images of brutality to parodies of mockery of black personhood to abstract works that offer the chance to create new meaning.

Works by Aziza Gibson Hunter, “Prayers to Haiti,” were a late addition to the show. Gibson Hunter composed a series that incorporates elements of African cloth and other found objects, including Haitian money, to offer homage to the small island nation devastated by an earthquake a month ago. Gibson Hunter intends to donate all proceeds to Doctors Without Borders.

One wall in particular seems to deal most directly with ancestral issues and imagery, which are most readily visualized through Anne Bouie’s “Ancestry 5,” “Ancestry 6” and “Ancestry 8.” Bouie incorporates Aunt Jemima and Uncle Tom figures but creates new meaning with the images.

And that, to Simpson, underscores a driving theme of the entire show. “It’s a matter of transformation, transforming it into something different and new,” he said. “It’s about seeing new things in what wasn’t necessarily good.”

Patterson added: “It’s also reclaiming it. Reclaiming a negative stereotype that was out there to turn it.”

The breadth of artistic techniques that individual artists have perfected is another striking aspect of the show. For example, artist Juliette Madison uses mixed media clay pieces by transferring images onto clay using ink that she created.

Madison’s “Lord Why” displays the technique with a veritable gut punch. The work shows the archival photograph of a lynched woman who, along with her son, was accused of theft. The significance of the story is made clear with the phrase “Lord why is my seed in the wind?” emblazoned on top of the image.

“African-American artists don’t feel backed into a corner,” Simpson said. “They create and let the chips fall where they may. There’s an authenticity to what you see.”

The exhibit, which opened Feb. 5, will run until the 28th. The Corner Store doubles as an art space and home to Kris Swanson, a sculptor who for the past eight years has welcomed any variety of art events into her home, including author readings, CD release parties and theatrical performances.

Because the space functions as a home, the Corner Store isn’t open for regular hours. However, Swanson makes appointments at webmaster@cornerstorearts.org or 202-544-5807.

The Corner Store Gallery
900 South Carolina Avenue, SE
Washington, DC 20003
(202) 544-5807

www.cornerstorearts.org

Metro: Within 2 blocks of the Eastern Market Station
Orange and Blue Lines

 
 

Colorblind/Colorsight

Exhibition Dates: November 9 – December 5, 2009
Opening Reception: Tuesday November 10, 2009 8-9pm

Washington, DC American University is pleased to present Colorblind/Colorsight, curated by A.U. MFA candidate Rachel Sitkin and featuring the work of area MFA candidates Yumi Hogan, Hedieh J. Ilchi, Amber Robles-Gordon, Mekbib Gerbertsadik, Beverly Paul, Kenyatta A. C. Hinkle and recent MFA graduate Matthew Owen Wead.

Colorblind/Colorsight looks at the diverse practices of these seven emerging artists who deal with issues of gender, race and ethnicity. In conjunction with the American University 2009 Fall Colloquium series, Beyond the Binary: Race-ing Art, this exhibition examines what it means to identify as an “ethnic” artist in a “post-racial” America.

Please join us for a panel discussion with Howardina Pindell, Sanford Biggers, Jiha Moon, Galo Moncayo and Isabel Manalo followed by a reception for Colorblind/Colorsight on Tuesday, November 10, 2009.

Panel Discussion: 6-8pm in the Abramson Recital Hall Gallery Reception: 8-9pm in the Rotunda Gallery free American University Katzen Art Center 4400 Massachusetts Ave. Washington, DC 20016

For more information contact: Rachel Sitkin rachelsitkin@gmail.com

 
Windows into DC
 

Aroblesgordon @ Artomatic 2009

www.artomatic.org


Featuring the C-Wire Piece on 2nd floor

Opening Reception: May Friday 29, 2009


Time: 8:00 pm - 2:00 am
Exhibit: Friday May 29 -June

Open: Wed.-Thurs., Noon-10 pm
Sun. Noon-10 pm
Fri.-Sat. Noon-1 am


Location: 55 M ST SE Washington, D.C.
How: Take the Metro! Navy Yard, Green Line West Entrance

 
 

To View Additional Artwork/Videos

www.myspace.com/aroblesgordon
www.youtube.com/user/aroblesgordon
www.saatchi-gallery.co.uk/yourgallery/artist_profile//10521.html

Memberships

Black Artists of DC
blackartistsofdc.org/
badcblog.blogspot.com/

Washington Projects for the Arts
artfile.wpadc.org/view_artist.php?aid=1424

Art Registries

Maryland State Art Council Registry
www.msac.org/registry/

 

 

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