Catalyst Projects is pleased to announce

Catalyst Projects is pleased to announce

 

The creative process for a sculptor can more often than not include drawing. Whether it be the technical planning of a three dimensional work, documenting the creative process or a wish to expand their vision to include other mediums, a sculptors approach to drawing is widely varied and unique.

Julia Bloom (DC) presents large scale charcoal drawings on paper for this exhibition. Bloom's three dimensional works are in a large way drawings themselves. Constructed from sticks and wire, and sometimes covered in paint or rust, her sculptural pieces take on a tenuous, airy quality. In contrast, the drawings, which are meant as portraits of the sculptures, are bold, dense images of the structures they represent.
 

 

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40 amazing black artists to watch in 2014

40 amazing black artists to watch in 2014

No, not every deserving artist gets their first taste of attention through one of the art world's largest platforms such as the legendary Art Basel show, or the Frieze Art Fair. In particular, African-American artists and other artists of color are still working towards greater visibility in the highest spheres of the rarified art community. Thus, there can never be too many lists bringing attention to the abundance of talented creators on the cusp of discovery who are ready to emerge.

Here are the fresh faces and more established visionaries still gaining ground that you need to know in 2014. The African diasporan artists compiled in the photo gallery above carry forth the traditions set in motion by visual artists from significant eras such as the Harlem Renaissance and Black Arts Movement, yet speak with new images and forms that lead us into the future

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I Kan Do Dat curated by Danny Simmons and Oshun Layne.

In the past week there have been three art openings at three different galleries that are all part of the same massive exhibition of contemporary abstraction "I Kan Do Dat" curated by Danny Simmons and Oshun Layne.  This exhibition ties in 87 artists of all cultural backgrounds and a huge spectrum of materials and techniques in Contemporary Abstraction.  The galleries involved include Rush Arts Gallery in Chelsea, a Skylight Gallery at Restoration Plaza in Bed-Stuy Brooklyn, and Selena Gallery in the LIU downtown Brooklyn campus.

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Inaugural Edition of Prizm Art Fair Launches Featuring Artists Representing the African Diaspora and Emerging Markets at Marquis Miami on December 5-8, 2013

Miami, Fl- A talented collective of established and emerging artists from locales as varied as the Democratic Republic of Congo to Washington D.C. will showcase contemporary art at the inaugural blockbuster Prizm Art Fair to be held December 5-8, 2013 at the Marquis Miami (1100 Biscayne Blvd, downtown Miami). The opening night reception will take place on December 5th from 11pm-2am and is open to the public. Admission is free. Prizm Art Fair is a collaborative effort between, Mikhaile Solomon, designer and arts advocate who is the founder of Prizm Art Fair and Marie Vickles, an independent curator, arts educator, and artist based in South Florida. Salient works presented will highlight the diversity evident in contemporary visual art practices including painting, sculpture and mixed media installations.

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The art of Amber Robles-Gordon is the art of Anacostia, quite literally.

Robles-Gordon cobbles together sculptures and canvas collages from scraps of paper and fabric she finds in the neighborhood’s trash cans and storefront windows. She’s shown her work at the Honfleur Gallery. Right now, she has a striking wire and fabric mesh artwork on view near the Deanwood Metro stop.

But as ARCH Development Corporation continues to expand its constellation of arts destinations in Anacostia—the latest is the Anacostia Arts Center on Good Hope Road SE—Robles-Gordon wonders if her neighborhood will still have room for her.

There’s a tendency to see Anacostia, long on talent and struggle but short on just about everything else, as a blank canvas. With the right kinds of art and advertising, the thinking goes, Anacostia can become a hub for the creative class. But who gets left out?

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The Story Behind Delusions of Grandeur

The Washington Post

By Michael O’Sullivan



“You have to be delusional to want to be an artist,” says Amber Robles-Gordon, who, with Shaunte Gates and Jamea Richmond-Edwards, debuted as the art collective Delusions of Grandeur with two back-to-back exhibitions in the summer of 2011. Originally funded by a grant from the D.C. Commission on the Arts and Humanities, the group has expanded to five members with the addition of Wesley Clark and Stanley Squirewell.

As tough as it is for anyone to make it as an artist, Robles-Gordon says it can be tougher for artists of color. It’s also tough, she believes, for artists struggling to balance careers and parenthood. (Several members of the group have young children.)

Having first come together as a kind of art salon, with the goal of fostering dialogue among its members, the collective has now set its sights on somewhat loftier goals. Its name may be tongue-in-cheek, but Robles-Gordon admits that “we do want to be in the history books.” 

http://www.washingtonpost.com/gog/exhibits/no-strings-attached,1245339/critic-review.html

Subtle Attention-Seekers Without Strings

Subtle Attention-Seekers Without Strings

Delusions of Grandeur seems about right for the name of an artists’ collective showing in a hole in the wall in Brentwood.

Located on the second floor of the Gateway Arts Center, the 39th Street Gallery is a 450-square-foot box that has been known to put on pretty cool little shows, including a recent micro-retrospective of the great D.C. painter Manon Cleary, who died last year. But the National Gallery of Art it is not.

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WETA Around Town

Jasper Johns: Variations on a Theme at the Phillips Collection through September 9, 2012. Discussion with Robert Aubry Davis, Amber Robles-Gordon, and Bill Dunlap.

Join the circle of prominent art, theater and film critics who make WETA Around Town your one source for the latest Washington-area reviews and recommendations.

WETA Around Town video segments are broadcast on TV 26 in between programs, nightly prior to the 7:00 pm program, and weeknights prior to Charlie Rose.

You can also subscribe to the WETA Around Town podcast and automatically receive the latest reviews each week. Or watch anytime online by clicking on a video below or visiting our video portal. www.weta.org/tv/local/aroundtown

40 under 40: Craft Futures at the Renwick Gallery through February 2013 Discussion with Robert Aubry Davis, Amber Robles-Gordon, and Bill Dunlap.

#MyDeanwood: Honoring the Past to Create the Future

The Washington Post

 

‘#MyDeanwood’

Patchwork is the operative mode — and metaphor — in “#myDeanwood: Honoring the Past to Create the Future,” a survey of art chosen to reflect Northeast Washington. There are other media in this small show, but most of the pieces are assemblages. Journalist and artist Esther Iverem makes quilted collages with historical elements, both personal and cultural; she sometimes invokes Oya, the Yoruba spirit of communication with ancestors. Sherry Burton Ways’s dolls are constructed of sticks, fabric, paper and what appears to be human hair; mounted atop strips of patterned fabric, these totemic figures evoke layers of history. Most interesting is Amber Robles-Gordon’s “Matrixes of Transformation” series, which does indeed transform her colorful fabric combinations by photographing them. These 2-D images have a strong sense of depth, but by focusing on details, they offer a more direct way to see Robles-Gordon’s tangled work.

 

 

#myDeanwood

DeanwoodxDesign ArtPlace Temporium

on view through Aug. 31 at the Tuban-Mahan Gallery, the Center for Green Urbanism, 3938 Benning Rd. NE. www.deanwoodxdesign.com

Jenkins is a freelance writer.

 

 

Continue Reading ...http://www.washingtonpost.com/entertainment/museums/

Every Fiber Counts ‘Art Beat’ With Sean Rameswaram

(March 28-April 27)

Every Fiber Counts


With Every Fiber of My Being is showing through late April at Honfleur Gallery in Southeast. Local artist Amber Robles-Gordon shares dozens of dream catcher-shaped sculptures made from repurposed clothing and other recycled materials. 

With Every Fiber of My Being (solo exhibition)

Honfleur Gallery

1241 Good Hope Rd SE,

Washington, DC 20020

http://wamu.org/story/12/03/28/art_beat_with_sean_rameswaram_mar_28/

https://www.amberroblesgordon.com/with-every-fiber-of-my-being-2012-public-art-installation

Honfleur Gallery Presents

With Every Fiber of My Being

by Amber Robles-Gordon

MARCH 9 – APRIL 27 2012

With Every Fiber of My Being IMG_1798.JPG

Exhibition Concept:

The phrase With Every Fiber of My Being captures the energy I bring to my creative process, my artwork, and how I relate to life.  Fibers, are everywhere in the body, they work in intricately bounded bundles to funnel and connect the life force with information and nutrients that sustain a fully functioning organism1.

I create with every fiber of my being, because I have to and because it brings me joy. Starting at the bundles of axons within my brain, to every hair fiber and through the nerves of my muscles, a network of fibers precisely distributed throughout wants to see, smell, hear, taste, and create, art.  

In this series, I am interested in creating a visual representation of the pieces that make up the mental, physical, spiritual and emotional aspects that make one human. I use personal items: parts of old purses, jeans, jackets, and jewelry. As well as stamps, post cards, and old cd cover artwork. Most of these things will be recognizable at first glance. Although, I hope that some items won’t be, at least at first. My intent is show the process of creating and exploring the layers of one’s self, one fiber at time. Then to notice a bundle, and then to see, and identify the life source that flow within each piece of art. Ultimately to the view the whole body artwork as living, breathing organisms.  

With Every Fiber of my Being refers to my overall beliefs that creating art is a means of promoting healing. Creating textile work is a very precise and time-consuming task: Every tile, piece of paper, cloth, or stitch of thread must be properly placed in order to craft the intended compacted mosaic of information. Hence, there are very few visual resting points with in a portion of these works. This is intentional, because when do the fibers of our being ever rest.

I will present a body of mixed media on canvas and sculptural textile works. The majority of the artwork will be a combination of found objects and other fiber products sewn or adhered to canvas. Additional works will be sculptural mixed media on canvas forms and mixed media on other found objects.

Honfleur Gallery

1241 Good Hope Road SE

Washington DC 20020

202-365-8392

 arts@archdc.org

 

Hours: Tuesday-Friday 12-5 · Saturdays 11-5

And by appointment

http://www.honfleurgallery.com/

www.amberroblesgordon.com