At face value, there’s an able group show at the Washington Project for the Arts, filled with work that ranges from the aesthetically pleasing, to the conceptual, and the socially relevant. A 55-color lithograph, “Ramble,” by Benjamin Edwards, is a dizzying map exploding with color and shape. Margaret Boozer’s “Red Dirt Print,” a four-foot square patch of dirt, re-contextualizes the ground beneath our feet into an aesthetic object to hang on the wall. Naoko Wowsugi’s “Thank You For Teaching Me English” presents several photographed portraits against high-key color backgrounds: people mouthing English words for the artist to learn (English is her second language).

Morton Fine Art is thrilled to introduce artist AMBER ROBLES GORDON to our roster.

"My artwork is a visual representation of my hybridism: a fusion of my gender, ethnicity, cultural, and social experiences. I impose colors, imagery, and materials that evoke femininity and tranquility with the intent of transcending or balancing a specific form. I associate working with light, color, and energy as a positive means to focus on the healing power found in the creative process and within us all. It is my belief that colors have both feminine and masculine energies and each color represents a specific aspect of nature."

At the Washington Project For the Arts, Beltway Public Works Showcases a Lending Library For Art The WPA's latest exhibition introduces the idea of art on loan to the public.

Artist Introduction: AMBER ROBLES-GORDON