Faculty: Artist Talk, Curated by Oshun Layne

New York, NY ...Delusions of Grandeur is heading to New York!!

Rush Art Galleries is proud to debut Faculty, a new exhibition that presents the work of Washington, D.C. artist collective, Delusions of Grandeur. Through a lens of critical intellectualism and psychic vision, the six artists who form the collective, Jamea Richmond-Edwards, Shaunté Gates, Stan Squirewell, Amber Robles-Gordon, Wesley Clark, and Larry Cook use their powers of ancestral memory to render symbols of communal black instincts within contemporary art in the new millennium. The ability to hear and bridge ancient history with the present and that which does not yet exist, drive the artists to capture transcendental ideas, cultural iconography and the everyday masses of people seeking to survive and transform the current political, social and economic landscape which threatens human beings. The works in the exhibition draw the viewer into fantasy paintings interspersed with digital photography, mixed media portraits, conceptions of human energy beginning with binary code, and a standing installation of lost and found objects to create new storytelling patterns and provide hopeful change in black culture and community. 

Delusions of Grandeur came together to articulate difficult conversations of race, class, social access and community through a shared commitment and desire for making new texts out of visual concepts. Wesley Clark constructs fictional artifacts, which he ‘antiques’ from an ability to ‘see’ beyond current belief systems of what is beautiful and conventional. With White neon lettering glowing upon a black backdrop that says, “Some of my best friends are black.” Larry Cook questions if that’s the case by asking the viewer to understand black culture and identity from a place of agency and nonlinear time. In Shaunté Gates’ surreal dream affects grounded in reality based photography, the color red repeats itself in remembrance of fire and sacrifice. Jamea Richmond-Edwards portraits of black women are at once ethereal and bold. Using ink and graphite, featuring bright faux couture patterns made of paper, sequins and textiles against black space, the faces come alive in the frame imploring the viewer to return their gaze and listen to the story being told through the women's piercing eyes. Light, rich color combinations of yellows, reds and blues weave the concepts of feminine and masculine energy to mine the healing terrain of holistic power sources found in Amber Robles Gordon’s work. The science of 1’s and 0’s known as binary code informs Stan Squirewell’s exploration of birth and repetition of three-dimensional vision and sound through standing installations. 

The sites of inquiry used by the artists place logical reasoning and sixth sense intuition at the center of shifting dialogue and perceptions of what black culture and community have been and what it’s becoming. Each artist, in turn, puts Faculty at the forefront of thought design, adding another layer of language to the current codes of blackness and representation. 

Faculty will run from February 22nd through April 5th, 2018 at Rush Arts Gallery (located at 526 West 26th Street, Suite 311, New York, NY 10001). An opening reception will be held on Thursday, February 22nd, 6:00-8:00 p.m.

The Story Behind Delusions of Grandeur

The Washington Post

By Michael O’Sullivan

“You have to be delusional to want to be an artist,” says Amber Robles-Gordon, who, with Shaunte Gates and Jamea Richmond-Edwards, debuted as the art collective Delusions of Grandeur with two back-to-back exhibitions in the summer of 2011. Originally funded by a grant from the D.C. Commission on the Arts and Humanities, the group has expanded to five members with the addition of Wesley Clark and Stanley Squirewell.

As tough as it is for anyone to make it as an artist, Robles-Gordon says it can be tougher for artists of color. It’s also tough, she believes, for artists struggling to balance careers and parenthood. (Several members of the group have young children.)

Having first come together as a kind of art salon, with the goal of fostering dialogue among its members, the collective has now set its sights on somewhat loftier goals. Its name may be tongue-in-cheek, but Robles-Gordon admits that “we do want to be in the history books.” 

http://www.washingtonpost.com/gog/exhibits/no-strings-attached,1245339/critic-review.html

30 Americans: Under the Influence

Thursday, November 17, 2011, 6-9 p.m.

Frances and Armand Hammer Auditorium

Corcoran Gallery of Art

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Featuring 30 Americans artist John Bankston and presentations by Mazin Abdelhameid, Cedric Baker, Holly Bass, Tom Block, Wesley Clark, Michele Coburn, Lori Crawford, Gary Lockwood/ Freehand Profit, Carrie Nobles, Jamea Richmond-Edwards, and Amber Robles-Gordon

Join us for an evening celebrating local artists and the artists of 30 Americans! Under the Influence will feature eleven artists giving five-minute presentations about their work and the influence one of the artists in 30 Americans has had on their artistic practice. 30 Americans artist John Bankston selected the eleven artists from an open call and will begin the evening with a short presentation about his own work and influences.

Under the Influence highlights the influence of the artists of 30 Americans on the work of up-and-coming artists and invites the audience to engage with artists and their work in an exciting, innovative way. The presentations will be followed by a reception and viewing of 30 Americans.

above images, clockwise from left: Jamea Richmond-Edwards, I am Here (detail), 2009, Ink, acrylic, graphite and collaged paper on canvas; Kerry James Marshall, Untitled (detail), 2009, Acrylic on PVC; Holly Bass, African Futures: DC, 2010, Photo documentation of live performance, photo by Rosina Photography; Kara Walker, Slavery! Slavery! Presenting a GRAND and LIFELIKE Panoramic... (detail), 1997, Cut paper and adhesive on wall

WPA is supported by its members, Board of Directors, invaluable volunteers, and by generous contributions from numerous individuals and the William C. Paley Foundation, The Morris and Gwendolyn Cafritz Foundation, Susan & Dixon Butler, Giselle & Benjamin Huberman, Abramson Family Foundation, Carolyn Alper, Akridge, Arent Fox LLP, The Athena Foundation, Bernstein Family Foundation, Liz & Tim Cullen, Caroline Fawcett & Tom O'Donnell, Sandra & James Fitzpatrick, Carol Brown Goldberg & Henry H. Goldberg, Corri Goldman & Michael Spivey, Haleh Design, Hickok Cole Architects, Betsy Karel, Yvette Kraft, Aimee & Robert Lehrman, Stephanie & Keith Lemer/WellNet Healthcare, Marshfield Associates, Carol & David Pensky, Susan Pillsbury, Heather & Tony Podesta, Richard Seaton & Dr. John Berger, Sidley Austin Foundation, Robert Shields Interiors, TTR Sotheby's International Realty, Vivo Design, Alexia & Roderick von Lipsey, The Washington Post Company, and William Wooby.

Admission is FREE Pre-registration is encouraged.

Presented by the Corcoran Contemporaries and Washington Project for the Arts