by VICTORIA L. VALENTINE on Sep 6, 2021 • 6:58 am
A BROAD SELECTION of exhibitions opened at art museums throughout the United States over the summer months. A great number of these shows remain on view, some through September, others further into the fall and beyond. Major traveling exhibitions of Bob Thompson, Joseph Yoakum, and Alma Thomas are underway. The first solo museum exhibitions of Caroline Kent and Simphiwe Ndzube are debuting in Chicago and Denver, while the first survey exhibitions of Jamal Cyrus and Jacolby Satterwhite are on view in Houston and Pittsburgh. Jennifer Packer and Cauline Smith have shows, too. In Nashville, a major retrospective of legendary sculptor William Edmondson is being staged, the first such presentation in two decades:
A one gallery show, “I would survive. I could survive. I should survive,” consists of photography, two paintings, and a sculpture by Chicago artist Arnold Joseph Kemp. The presentation is anchored by “Possible Bibliography” (2015-20), a grid-style installation of 52 photographs. In each of the images, Kemp’s hands are holding a book from his personal library by Hilton Als, James Baldwin, W.E.B. Du Bois, Okwui Enwezor, Glenn Ligon, Toni Morrison, Fred Moten, Adrian Piper, and Robert Farris Thompson, among many other authors. The work explores “how histories and canons impact and are impacted by the personal, the political, and the collective.”
The first survey exhibition of Houston artist Jamal Cyrus spans 15 years, from 2005 to 2021. The recipient of the 2020 Driskell Prize, Cyrus considers how African American identity has evolved across time, borders, and Black political movements. More than 50 works are on view, spanning work on paper and denim, assemblage works, textiles, collage, installation, and performance. The exhibition is presented in partnership with “Levels & Layers: An Artist’s Reflections on Third Ward,” curated by Cyrus at the University Museum at Texas Southern University.
“Joseph E. Yoakum: What I Saw” @ Art Institute of Chicago in Illinois | June 12-Oct. 18, 2021
Born in Ash Grove, Mo., Joseph E. Yoakum (1891–1972), traveled internationally with several circuses and, during World War I, served in an all–African American noncombat unit in Europe. Living on Chicago’s South Side at age 71, he began drawing fascinating landscapes based in part on observations from his travels, but largely influenced by his imagination and spiritual vision. Over the next decade, he produced about 2,000 works. More than 100 of the pen, pencil, pastel, and watercolor on paper works are featured in “What I Saw.” The exhibition travels next to the Museum of Modern Art in New York and then on to the Menil Collection in Houston, Texas.
The first U.S. solo museum exhibition of Simphiwe Ndzube features a new body of work—eight paintings, sculpture, and sculptural paintings. The exhibition “integrates themes related to power, conflict, and the search for freedom through a Pink Universe,” a fantasy world invented by the artist that draws on magical realism and post-apartheid history. South African-born Ndzube lives and works in Los Angeles.
Jennifer Packer makes poetic portraits and floral still lifes. Her first exhibition on the West Coast, “Every Shut Eye Ain’t Sleep” features new and recent drawings and paintings by the New York-based artist.
The exhibition follows “Jennifer Packer: The Eye is Not Satisfied with Seeing” at Serpentine Galleries in London, Packer’s first solo show outside the United States. This fall, the traveling exhibition opens at the Whitney Museum of American Art in New York.
The first African American woman to have a solo exhibition at the Whitney Museum of American Art in New York (1972), Alma Thomas is associated with her adopted hometown of Washington, D.C., and celebrated for her large-scale, vibrantly colored abstract paintings made in the latter years of her life. “Everything is Beautiful” looks at her career through a wider lens, exploring the full spectrum of her creativity—her paintings, as well as her love of fashion, gardening, teaching, performing arts, and more. Accompanied by a fully illustrated catalog, the traveling exhibition also focuses on her roots in Columbus, Ga., where she was born.
On the occasion of the 40th anniversary of the McArthur Foundation Fellows Program, “Toward Common Cause” presents new and re-contextualized works by 29 visual artists and former fellows, including Njideka Akunyili Crosby, Dawoud Bey, Mark Bradford, LaToya Ruby Frazier, Whitfield Lovell, Rick Lowe, Kerry James Marshall, Julie Mehretu, Kara Walker, Carrie Mae Weems, Deborah Willis, and Fred Wilson. Presented at multiple venues throughout Chicago, the Smart Museum is the main site with related programming including “Carrie Mae Weems: A Land of Broken Dreams” at the University of Chicago’s Logan Center and “Toward Common Cause at the Stony Island Arts Bank.”
Over the course of her career, Los Angeles-based artist Cauleen Smith “has harnessed acts of imagination and the power of revolutionary thinking to envision a better world.” Her latest exhibition features film, video, sculpture, textiles, installation, and drawing. The show’s title (“We Already Have What We Need”) is adapted from the video installation at the center of the presentation, which reminds us to take care of each other and the planet in order to sustain our existence. The theme carries throughout the works in the exhibition, emphasizing “acts of caring as antidotes to the injustices and inequities that shape our past and present.”
The exhibition coincides with “Give It or Leave It,” the traveling exhibition currently on view at the Los Angeles County Museum of Art (LACMA) and “Cauleen Smith: Stars in My Pocket and the Rent is Due” at Charles White Elementary School. The site of the original campus of Otis Art Institute is now a satellite venue of LACMA.
“This House Is Mine” is only the second museum retrospective of Bob Thompson (1937–1966) and the first dedicated to the artist in more than 20 years. Born in Louisville, Ky., his transatlantic career was highly productive during the short period he was active, from 1958-1966. Featuring paintings and works on paper drawn from more than 50 public and private collections, the exhibition is accompanied by a fully illustrated catalog.
The Kinsey African American Art & History Collection has toured the world. Currently on view in Tacoma, Wash., the collection explores the African American experience through paintings, sculpture, photographs, rare books, letters, and manuscripts. The works date from 1595 to present. Unrivaled by other private collections, the holdings were assembled by Shirley and Bernard Kinsey over five decades.
“Chicago Works: Caroline Kent” @ Museum of Contemporary Art, Chicago | Aug. 3, 2021-April 3, 2022
The first solo museum exhibition of Chicago artist Caroline Kent is a site-specific installation titled “Victoria/Veronica: Making Room.” Staged in an immersive domestic environment, the presentation features large-scale abstract paintings, sculptures, sound, and architectural interventions.
“The Sculpture of William Edmondson: Tombstones, Garden Ornaments, and Stonework” @ Cheekwood Estate & Gardens, Nashville, Tenn. | Aug. 12-Oct. 31, 2021
The first major museum exhibition of Tennessee-born William Edmondson (c. 1874-1951) in 20 years draws from public and private collections and features 20 works from Cheekwood, the largest repository of the artist’s work. After retiring from a series of manual labor jobs, Edmondson received a divine calling and began carving chunks of salvaged limestone and street curbs into modernist sculptures, gravestones, and garden ornaments. In 1937, he became the first African American artist to have a solo exhibition at the Museum of Modern Art in New York. A new fully illustrated catalog accompanies the exhibition.
The first major solo exhibition of Jacolby Satterwhite, “Spirits Roaming on the Earth” surveys 10 years of his conceptual practice, spanning video, sculpture, installations, dance tracks, and performance. A new monograph titled “How lovly is me being as I am” accompanies the exhibition.
“Hammer Projects: David Hartt” @ Hammer Museum, Los Angeles, Calif. | Aug. 21, 2021-Jan. 2, 2022
David Hartt’s single gallery show is a multimedia installation “examining the relationships between culture, geography, and colonial histories in the Americas in the 19th century.” The installation employs sound and textiles, including a tapestry based on “Blue Hole on the Little Miami River” (1851), the painting by Robert S. Duncanson (1821–1872). A Canadian artist, Hartt lives and works in Philadelphia.
“Successions” presents abstract paintings, collages, and quilts produced by Washington-D.C.-based artist Amber Robles-Gordon in 2020 and 2021. Using the tools of abstraction, Robles-Gordon questions “who has access to resources, citizenship, and the right to sovereignty,” in the District of Columbia, where voting representation in Congress remain elusive, and the U.S. territories of Guam, Puerto Rico, and the U.S. Virgin Islands,. Curated by Larry Ossei-Mensah, the exhibition is accompanied by a new publication. CT