exhibit

The Story Behind Delusions of Grandeur

The Washington Post

By Michael O’Sullivan



“You have to be delusional to want to be an artist,” says Amber Robles-Gordon, who, with Shaunte Gates and Jamea Richmond-Edwards, debuted as the art collective Delusions of Grandeur with two back-to-back exhibitions in the summer of 2011. Originally funded by a grant from the D.C. Commission on the Arts and Humanities, the group has expanded to five members with the addition of Wesley Clark and Stanley Squirewell.

As tough as it is for anyone to make it as an artist, Robles-Gordon says it can be tougher for artists of color. It’s also tough, she believes, for artists struggling to balance careers and parenthood. (Several members of the group have young children.)

Having first come together as a kind of art salon, with the goal of fostering dialogue among its members, the collective has now set its sights on somewhat loftier goals. Its name may be tongue-in-cheek, but Robles-Gordon admits that “we do want to be in the history books.” 

http://www.washingtonpost.com/gog/exhibits/no-strings-attached,1245339/critic-review.html

WETA Around Town

Jasper Johns: Variations on a Theme at the Phillips Collection through September 9, 2012. Discussion with Robert Aubry Davis, Amber Robles-Gordon, and Bill Dunlap.

Join the circle of prominent art, theater and film critics who make WETA Around Town your one source for the latest Washington-area reviews and recommendations.

WETA Around Town video segments are broadcast on TV 26 in between programs, nightly prior to the 7:00 pm program, and weeknights prior to Charlie Rose.

You can also subscribe to the WETA Around Town podcast and automatically receive the latest reviews each week. Or watch anytime online by clicking on a video below or visiting our video portal. www.weta.org/tv/local/aroundtown

40 under 40: Craft Futures at the Renwick Gallery through February 2013 Discussion with Robert Aubry Davis, Amber Robles-Gordon, and Bill Dunlap.

Honfleur Gallery Presents

With Every Fiber of My Being

by Amber Robles-Gordon

MARCH 9 – APRIL 27 2012

With Every Fiber of My Being IMG_1798.JPG

Exhibition Concept:

The phrase With Every Fiber of My Being captures the energy I bring to my creative process, my artwork, and how I relate to life.  Fibers, are everywhere in the body, they work in intricately bounded bundles to funnel and connect the life force with information and nutrients that sustain a fully functioning organism1.

I create with every fiber of my being, because I have to and because it brings me joy. Starting at the bundles of axons within my brain, to every hair fiber and through the nerves of my muscles, a network of fibers precisely distributed throughout wants to see, smell, hear, taste, and create, art.  

In this series, I am interested in creating a visual representation of the pieces that make up the mental, physical, spiritual and emotional aspects that make one human. I use personal items: parts of old purses, jeans, jackets, and jewelry. As well as stamps, post cards, and old cd cover artwork. Most of these things will be recognizable at first glance. Although, I hope that some items won’t be, at least at first. My intent is show the process of creating and exploring the layers of one’s self, one fiber at time. Then to notice a bundle, and then to see, and identify the life source that flow within each piece of art. Ultimately to the view the whole body artwork as living, breathing organisms.  

With Every Fiber of my Being refers to my overall beliefs that creating art is a means of promoting healing. Creating textile work is a very precise and time-consuming task: Every tile, piece of paper, cloth, or stitch of thread must be properly placed in order to craft the intended compacted mosaic of information. Hence, there are very few visual resting points with in a portion of these works. This is intentional, because when do the fibers of our being ever rest.

I will present a body of mixed media on canvas and sculptural textile works. The majority of the artwork will be a combination of found objects and other fiber products sewn or adhered to canvas. Additional works will be sculptural mixed media on canvas forms and mixed media on other found objects.

Honfleur Gallery

1241 Good Hope Road SE

Washington DC 20020

202-365-8392

 arts@archdc.org

 

Hours: Tuesday-Friday 12-5 · Saturdays 11-5

And by appointment

http://www.honfleurgallery.com/

www.amberroblesgordon.com

 

30 Americans: Under the Influence

Thursday, November 17, 2011, 6-9 p.m.

Frances and Armand Hammer Auditorium

Corcoran Gallery of Art

Featuring 30 Americans artist John Bankston and presentations by Mazin Abdelhameid, Cedric Baker, Holly Bass, Tom Block, Wesley Clark, Michele Coburn, Lori Crawford, Gary Lockwood/ Freehand Profit, Carrie Nobles, Jamea Richmond-Edwards, and Amber Robles-Gordon

Join us for an evening celebrating local artists and the artists of 30 Americans! Under the Influence will feature eleven artists giving five-minute presentations about their work and the influence one of the artists in 30 Americans has had on their artistic practice. 30 Americans artist John Bankston selected the eleven artists from an open call and will begin the evening with a short presentation about his own work and influences.

Under the Influence highlights the influence of the artists of 30 Americans on the work of up-and-coming artists and invites the audience to engage with artists and their work in an exciting, innovative way. The presentations will be followed by a reception and viewing of 30 Americans.

above images, clockwise from left: Jamea Richmond-Edwards, I am Here (detail), 2009, Ink, acrylic, graphite and collaged paper on canvas; Kerry James Marshall, Untitled (detail), 2009, Acrylic on PVC; Holly Bass, African Futures: DC, 2010, Photo documentation of live performance, photo by Rosina Photography; Kara Walker, Slavery! Slavery! Presenting a GRAND and LIFELIKE Panoramic... (detail), 1997, Cut paper and adhesive on wall

WPA is supported by its members, Board of Directors, invaluable volunteers, and by generous contributions from numerous individuals and the William C. Paley Foundation, The Morris and Gwendolyn Cafritz Foundation, Susan & Dixon Butler, Giselle & Benjamin Huberman, Abramson Family Foundation, Carolyn Alper, Akridge, Arent Fox LLP, The Athena Foundation, Bernstein Family Foundation, Liz & Tim Cullen, Caroline Fawcett & Tom O'Donnell, Sandra & James Fitzpatrick, Carol Brown Goldberg & Henry H. Goldberg, Corri Goldman & Michael Spivey, Haleh Design, Hickok Cole Architects, Betsy Karel, Yvette Kraft, Aimee & Robert Lehrman, Stephanie & Keith Lemer/WellNet Healthcare, Marshfield Associates, Carol & David Pensky, Susan Pillsbury, Heather & Tony Podesta, Richard Seaton & Dr. John Berger, Sidley Austin Foundation, Robert Shields Interiors, TTR Sotheby's International Realty, Vivo Design, Alexia & Roderick von Lipsey, The Washington Post Company, and William Wooby.

Admission is FREE Pre-registration is encouraged.

Presented by the Corcoran Contemporaries and Washington Project for the Arts

‘Options 2011’ combines minimal and conceptual art

By Mark Jenkins

Washington Post

For its 30th annual survey exhibition, “Options 2011,” the Washington Project for the Arts has temporarily claimed a floor of an industrial building near the Convention Center. The space gives the show — curated by Arlington Arts Center Executive Director Stefanie Fedor — room for large, dramatic pieces, as well as the expected painting, photography and video. The work ranges from computer animation and fabric art — including Amber Robles-Gordon’s third gallery showcase of the last six months — to issues of Bittersweet, a new magazine that covers social issues of non-federal D.C.

Many of the 13 artists combine the minimal and the conceptual. John James Anderson combines sculpture made from lumber, nails, screws and carpentry tools, with commentary about hiring immigrant day laborers to work with him. Stewart Watson impales pillows with steel rods to make site-specific, anxiety-ridden “events.” Lisa Dillin’s photographs and sculptures coolly parody corporate environments and mindsets. Heather Boaz renders the commonplace eerie by photographing toy furniture posed on or near body parts such as eyes and knees, as well as less commonly displayed ones.

Among the show’s most engaging work are monumental pieces that mock artistic monumentality. Artemis Herber is showing shell-like forms that look to be made of rusted steel, evoking the sculptural colossuses of Richard Serra and Anthony Caro, along with pillars whose shapes are modeled on fallen trees (although they’re painted a shade of green that’s more redolent of celery than forests). But Herber’s work is made of cardboard; that rusty patina is paint.

Jimmy Miracle also uses inexpensive materials, including plastic carryout food containers. For “Beam,” he stretches filament from wall to floor to simulate a gleaming shaft of light. Like Herber’s “trees,” Miracle’s pieces give everyday stuff a pretense to glory. 

www.washingtonpost.com/lifestyle/style/options-2011-combines-minimal-and-conceptual-art/2011/10/12/gIQA24UPiL_story.html

Delusions of Grandeur: Ascension

Press Release

Shaunté Gates, In my dreams II, 2011

Amber Robles-Gordon, Peacock. 2011

Jamea Richmond-Edwards, Revealation, 2011

WASHINGTON, DC- Parish Gallery, in conjunction with the DC Commission on the Arts and Humanities is pleased to present an exhibition by three artists – Shaunté Gates, Jamea Richmond-Edwards and Amber Robles-Gordon, “Delusions of Grandeur: Ascension”. This show will open with a reception from 6:00-8:00 pm on Friday, August 19th, and will run through September 16th, 2011.

This exhibition is the result of an artistic dialog about the “delusions of grandeur” they each possess in order to continue progressing in their careers and most importantly in their artwork. Ascension, the act of rising to an important position or a higher level, is the theme adapted for this current body of work. Each artist presents their individual interpretation of the act of ascending.

Artists Shaunté Gates work combines multiple processes and genres, by taking appropriations and gestures from pop culture and print media which are combined to create elusive narratives. Gate’s works seduce us into an imaginary world of juxtaposition and fantasy, a place when the contradictions of culture and the human psyche are collided. His mixed media paintings capture the beauty in subjects that may appear bleak to the average eye at first glance. Gates ideas are derived from the pain, joy, and the beautiful way everything universally is connected.

Jamea Richmond-Edwards work explores the contradictions of female and cultural identity and with reference to Greek Mythology, African folklore and international fashion. Richmond- Edwards examine how mythologies from ancient times translate into today’s culture and time allegorically. Her figures are empowered by their survivalist adaptation to circumstance. Their sharp features are inspired by both high fashion models and the everyday women in her community.

Amber Robles-Gordon mixed media artworks draw upon her journey through motherhood, genealogy, healing, and being alive today. They represent her technical and scholarly growth as an artist, and are supported by her professional development in the Washington, DC area. Her two- and three-dimensional pieces it within an expansive notion of painting and sculptural form. She uses stretched canvas to support an accumulation of media in low- or sharp-relief. These assemblages require a close look to interpret their individual parts. Collectively, these parts form a visual energy comprised of the previous “lives” of the objects, their former owners, and the artist’s hand.

Parish Gallery primarily, but not exclusively, represents contemporary visual artists of significance from Africa and the African Diaspora. In selecting art and artists, Parish Gallery exercises high ethical, curatorial and market selection standards, catering to the spirit of social preservation and regeneration in collecting the art. Parish Gallery is open Tuesday thru Saturday from noon to 6:00 PM or by appointment.

Artists:

Shaunté Gates

Amber Robles-Gordon

Jamea Richmond-Edwards

Exhibition Dates: August 19- September12, 2011

Opening Reception: August 19, 2011 6-8pm

Parish Gallery

1054 31 Street NW

Washington, D.C. 20007

www.parishgallery.com

Amber Robles-Gordon's Solo Exhibition WIRED at Pleasant Plains

Curated by Kristina Bilonick

June 18 - July 16, 2011 Opening Reception: Sat. June 18, 6-9pm

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Pleasant Plains Workshop is pleased to present a solo project, Wired, by artist, Amber Robles-Gordon. Robles-Gordon recently received her MFA from Howard University and works in mixed media, textile, photography, and painting.

For this exhibition, Robles-Gordon has transformed found objects with ribbons, gimp, fabric, wire and other materials to create exciting wall works that explore patterns, color and material. The works also speak to her cultural identity which is influenced by Caribbean, Latin-American, and African-American cultures.

Please join us for the opening reception on June 18th, from 6-9 PM.

Pleasant Plains Workshop

2608 Georgia Avenue NW

Washington, DC 20001

pleasantplainsworkshop@gmail.com

www.pleasantplainsworkshop.com

MATRICES OF TRANSFORMATION: A Process of Discovery through Collage and Assemblage

The Art of Amber Robles-Gordon

My Thesis Defense Exhibition

Exhibition: Monday November 22, 2010 - Wednesday December 1, 2010

Howard University Thesis Defense: Monday November 29, 2020 3:00-500 pm

Michael Platt’s Studio 1468 Chapin Street, NW Washington, DC 20009 (Between Adams and Bryant Street) Viewing by appt. contact:

(202) 332-6917 or michealbplatt@verizon.net 

Amber Robles–Gordon (240) 417-4888 aroblesgordon@yahoo.com

Jamea Richmond-Edwards and Amber Robles Gordon: Pretty Things, Little Treasures and Hidden Meanings

Amber Robles-Gordon Milked, 2010, 30x30 on canvas

Jamea Richmond-Edwards Unforsaken, 2010, 18x24 on canva

Friday September 3- Friday September 17, 2010

WASHINGTON, D.C. — The Gallery at AYN Studio in the Penn Quarter neighborhood, will present an exhibition of collage and assemblage creations by artists Jamea Richmond-Edwards and Amber Robles-Gordon entitled, “Pretty Things, Little Treasures and Hidden Meanings”. The exhibition will open on Friday September 3, 2010 with a public reception from 6:30-8:30 pm. The exhibition will remain on view by appointment until Friday September 17, 2010.

“Pretty Things, Little Treasures and Hidden Meanings” is inspired by the themes in their work that convey the feminine mystique. Both women focus on their personal stories and the roles of women in society. The “Pretty Things” refers to the physical beauty and the sentiment that women attribute to the things they collect and adorn themselves with. “Little Treasures” are the intricate details that create the narratives. The “Hidden Meanings” are the various images and concepts that encompass the feminine mystique, yet reproduce social norms that confine.

This exhibition is the product of an artistic partnership and dialogue about emerging women artists. The dialogue began about how to navigate through the art world and challenge the notion of the individual and isolated artist. The two artists met while working on their MFA’s at Howard University and through their affiliation with Black Artists of DC. They discovered commonalities in their work and decided to partner and exhibit works focusing on womanhood.

Detroit native Jamea Richmond-Edwards studied painting and drawing at Jackson State University.

She primarily paints women and is influenced by childhood memories and the complex lives of the women in her life. She has developed her own unique style of mixed media portraiture using paper, graphite, and ink.

Amber Robles-Gordon is an artist, student, and native of Puerto Rico. She is currently finishing her Masters in Fine Arts at Howard University. Her medium is collage and assemblage. She focuses on fusing found objects to convey her own personal memories, inspired by nature, womanhood, and her belief in recycle energy.

Artist work can be viewed at www.jamearichmondedwards.comwww.amberroblesgordon.com

Interview Contact and to make appt: Amber Robles Gordon Telephone: 240-417-4888

Contact: The Gallery at AYN Studio 923 F St. NW Suite#201, Washington, D.C. 202-271-9475 http://www.aynstudio.com/ gediyon@AynStudio.com

Intersecciones Culturales: Voces de América Latina y el Caribe Cultural Crossroads: Voices of Latin America and the Caribbean

 Felix Angel - Joan Belmar - Rafael Corzo - Amber Robles-Gordon

September 15 - October 15, 2010 Opening Reception: Saturday, September 18, 5 - 8pm

The Brentwood Arts Exchange at the Gateway Arts Center is proud to present, Intersecciones Culturales: Voces de America Latina y el Caribe / Cultural Crossroads: Voices from Latin America and the Caribbean, an exhibition featuring artwork by Felix Angel, Joan Belmar, Amber Robles-Gordon, and Rafael Corzo. Curated by Carmen Toruella-Quander, and assisted by Ricardo Penuela-Pava, Cultural Crossroads is a celebration of National Hispanic Heritage Month, a time when we honor the contributions of Hispanic Americans to the United States and celebrate Hispanic heritage and culture. Intersecciones Culturales / Cultural Crossroads is compact, with the intent to overload. Rafael Corzo, presenting art in the gallery as well as the craft store, brings an ambitious embodiment of youthful energy and freedom. Amber Robles-Gordon exhibits dazzling wall sculptures evocative of Carnival, steeped in the Afro-Caribbean heritage of objects imbued with symbolism so deeply felt that even when open to intellectual interpretation, their emotional interpretation rings clear. Joan Belmar presents an installation of abstractions rendered with incredible precision and care. Each creates delicate illusions of space that rest on balance between external structure and the fluidity of emotions. And, that's all before mentioning Felix Angel, who lends the exhibition nine works of undeniable power. The most established and longest experienced of this talented group, Angel - better known in the DC region as a curator than as an artist - brings forth refinement, eloquence, and poignance, that are always and only the outcome of years of creation, focus and discipline. As a whole, Intersecciones Culturales / Cultural Crossroads is an expansive, energetic and positive stand against any generalization of "Latin Art". It steps in many directions, danced in embrace with all of life - the expression of which makes art powerful. It is not THE voice from Latin America and the Caribbean. It is four voices, artists varied in age and experience, creating contemporary art informed by cultural heritage from Columbia, Chile, Puerto Rico, and Mexico - places as distant and distinct from one another as from here, yet bound by language and post-colonial legacy, and by their living contribution to the fabric of our lives.

Brentwood Arts Exchange - exchanging ideas through art. A facility of the Maryland-National Capital Park & Planning Commission. Hours: Monday through Friday: 10am - 8pm Saturday: 10am - 6pm Closed Sunday @ Gateway Arts Center 3901 Rhode Island Avenue Brentwood, MD 20722 301-277-2863/ tty. 301-446-6802 www.pgparks.com/Things_To_Do/Arts/Brentwood-Arts-Exchange-at-Gateway-Arts-Center.htm