Amber Robles-Gordon

"How We Lost DC" at Honfleur Gallery Wednesday, Sept. 16

"How We Lost DC" at Honfleur Gallery Wednesday, Sept. 16

By Emily Walz, Washington City Paper

 

Few cities are undergoing a period of gentrification as lengthy as D.C.’s, and perhaps none are gentrifying as quickly. The individual stories of displacement, as well as the larger narrative arc that shows how class and racial lines overlap to push out poorer minority communities, have particular poignancy in D.C., one of the first cities in the U.S. with a black majority. Against this backdrop, the local African-American artist collective Delusions of Grandeur created How We Lost DC, an exhibition the group calls “a visual discourse on gentrification.” The work of Wesley Clark, Larry Cook, Shaunté Gates, Jamea Richmond-Edwards, Amber Robles-Gorden, and Stan Squirewell encompasses photography, textile, paintings, mixed media, and sculpture in a show that moves between portraiture and would-be artifacts to tapestry and art made from maps of the District itself.

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WOMEN’S HISTORY MONTH: AMBER ROBLES-GORDON

WOMEN’S HISTORY MONTH: AMBER ROBLES-GORDON

BYT Staff, https://brightestyoungthings.com

March is Women’s History Month. Throughout the month we be profiled D.C. based women you should know. Amy Morse, the founder of Ideas Club, headed the project. Today she profiles Amber Robles-Gordon.

Amber is a D.C.-based changemaker who turns big ideas into visual art. Her work, which ranges from 50-foot banners draped on D.C. buildings, to installation art and mixed media assemblages, addresses global consumerism, gender imbalance and other major social cultural themes. Through the symbolic use of materials and their interactions, she exploratory meditations on her work read like spiritual healing practice. Her vantage point is unique, academically grounded (MFA in painting from Howard University), and incredibly beautiful. For those who enjoy interacting with creative nonfiction cultural critiques, she is a gem in D.C. of social commentary, drawing from an intuitive connection to herself and her spiritual practice.

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Divinity Revealed at African Heritage Cultural Arts Center

Divinity Revealed at African Heritage Cultural Arts Center

In honor of Women’s History Month, the African Heritage Cultural Arts Center presented the Amadlozi Gallery Exhibition

Divinity Revealed will premier works by national artists, LaToya Hobbs, Sheena Rose, Martin Nyarko, and Amber Robles -Gordon. This exhibition explores femininity from the artist’s perspective within the context of their community and the world. The gallery’s opening reception is March 5th at 6pm with curatorial presentations at 6:30pm at the African Heritage Cultural Arts Center, 6161 NW 22nd Avenue, Miami, FL 33142. It is free to attend, rsvp required. The Divinity Revealed exhibition is part of “Sankofa: Looking Back, Going Forward,” a year-long series of events and performances that bring alumni back to the African Heritage Cultural Arts Center to inspire the next generation of talent, in celebration of the Center’s fortieth anniversary with funding support from The John S. and James L. Knight Foundation, as part of its Knight Arts Challenge.

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Catalyst Projects is pleased to announce

Catalyst Projects is pleased to announce

 

The creative process for a sculptor can more often than not include drawing. Whether it be the technical planning of a three dimensional work, documenting the creative process or a wish to expand their vision to include other mediums, a sculptors approach to drawing is widely varied and unique.

Julia Bloom (DC) presents large scale charcoal drawings on paper for this exhibition. Bloom's three dimensional works are in a large way drawings themselves. Constructed from sticks and wire, and sometimes covered in paint or rust, her sculptural pieces take on a tenuous, airy quality. In contrast, the drawings, which are meant as portraits of the sculptures, are bold, dense images of the structures they represent.
 

 

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I Kan Do Dat curated by Danny Simmons and Oshun Layne.

In the past week there have been three art openings at three different galleries that are all part of the same massive exhibition of contemporary abstraction "I Kan Do Dat" curated by Danny Simmons and Oshun Layne.  This exhibition ties in 87 artists of all cultural backgrounds and a huge spectrum of materials and techniques in Contemporary Abstraction.  The galleries involved include Rush Arts Gallery in Chelsea, a Skylight Gallery at Restoration Plaza in Bed-Stuy Brooklyn, and Selena Gallery in the LIU downtown Brooklyn campus.

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Inaugural Edition of Prizm Art Fair Launches Featuring Artists Representing the African Diaspora and Emerging Markets at Marquis Miami on December 5-8, 2013

Miami, Fl- A talented collective of established and emerging artists from locales as varied as the Democratic Republic of Congo to Washington D.C. will showcase contemporary art at the inaugural blockbuster Prizm Art Fair to be held December 5-8, 2013 at the Marquis Miami (1100 Biscayne Blvd, downtown Miami). The opening night reception will take place on December 5th from 11pm-2am and is open to the public. Admission is free. Prizm Art Fair is a collaborative effort between, Mikhaile Solomon, designer and arts advocate who is the founder of Prizm Art Fair and Marie Vickles, an independent curator, arts educator, and artist based in South Florida. Salient works presented will highlight the diversity evident in contemporary visual art practices including painting, sculpture and mixed media installations.

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#MyDeanwood: Honoring the Past to Create the Future

The Washington Post

 

‘#MyDeanwood’

Patchwork is the operative mode — and metaphor — in “#myDeanwood: Honoring the Past to Create the Future,” a survey of art chosen to reflect Northeast Washington. There are other media in this small show, but most of the pieces are assemblages. Journalist and artist Esther Iverem makes quilted collages with historical elements, both personal and cultural; she sometimes invokes Oya, the Yoruba spirit of communication with ancestors. Sherry Burton Ways’s dolls are constructed of sticks, fabric, paper and what appears to be human hair; mounted atop strips of patterned fabric, these totemic figures evoke layers of history. Most interesting is Amber Robles-Gordon’s “Matrixes of Transformation” series, which does indeed transform her colorful fabric combinations by photographing them. These 2-D images have a strong sense of depth, but by focusing on details, they offer a more direct way to see Robles-Gordon’s tangled work.

 

 

#myDeanwood

DeanwoodxDesign ArtPlace Temporium

on view through Aug. 31 at the Tuban-Mahan Gallery, the Center for Green Urbanism, 3938 Benning Rd. NE. www.deanwoodxdesign.com

Jenkins is a freelance writer.

 

 

Continue Reading ...http://www.washingtonpost.com/entertainment/museums/

Every Fiber Counts ‘Art Beat’ With Sean Rameswaram

(March 28-April 27)

Every Fiber Counts


With Every Fiber of My Being is showing through late April at Honfleur Gallery in Southeast. Local artist Amber Robles-Gordon shares dozens of dream catcher-shaped sculptures made from repurposed clothing and other recycled materials. 

With Every Fiber of My Being (solo exhibition)

Honfleur Gallery

1241 Good Hope Rd SE,

Washington, DC 20020

http://wamu.org/story/12/03/28/art_beat_with_sean_rameswaram_mar_28/

https://www.amberroblesgordon.com/with-every-fiber-of-my-being-2012-public-art-installation

Amber Robles-Gordon's Solo Exhibition WIRED at Pleasant Plains

Curated by Kristina Bilonick

June 18 - July 16, 2011 Opening Reception: Sat. June 18, 6-9pm

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Pleasant Plains Workshop is pleased to present a solo project, Wired, by artist, Amber Robles-Gordon. Robles-Gordon recently received her MFA from Howard University and works in mixed media, textile, photography, and painting.

For this exhibition, Robles-Gordon has transformed found objects with ribbons, gimp, fabric, wire and other materials to create exciting wall works that explore patterns, color and material. The works also speak to her cultural identity which is influenced by Caribbean, Latin-American, and African-American cultures.

Please join us for the opening reception on June 18th, from 6-9 PM.

Pleasant Plains Workshop

2608 Georgia Avenue NW

Washington, DC 20001

pleasantplainsworkshop@gmail.com

www.pleasantplainsworkshop.com