People, food, and horticulture are among the things that move. Amber Robles-Gordon’s use of the Ficus Elastica is part of the symbology that reverberates throughout her exhibition, Successions: Traversing US Colonialism, on view at the American University Museum at the Katzen Arts Center in Washington, DC, through December 12, 2021. The Ficus Elastica—colloquially known as the rubber tree—has its roots in South Asia, though it was later nativized in the West Indies through the rubber trade. Dear reader, among your houseplants you are likely to find the genus of the rubber plant.
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Of the Place, An American University, MFA Studio Art Program Sponsored Conversation
The MFA Studio Art program at American University is pleased to present
Of the Place, a series of conversations that center the artists, art organizations, art activators, and culture producers who have deep connections to their locale.
The theme reflects the times that we are living in – many of us have had to stay in place over the last year. The global pandemic, politics, and the cultural circumstances of our contemporary world have necessitated a change in our social and work patterns. We are looking within our own communities to share resources and support.
Read MoreSuccessions: Traversing US Colonialism Amber Robles-Gordon
August 28–December 12, 2021
American University Museum Curated by
at the Katzen Arts Center Larry Ossei-Mensah
Amber Robles-Gordon presents Successions: Traversing US Colonial- ism, a solo exhibition on view at the American University Museum at the Katzen Arts Center in fall 2021. Successions is a conceptual juxta- position that celebrates abstraction as an art form while leveraging it as a tool to interrogate past and current US policies within its federal district (Washington, DC) and territories (including Guam, Puerto Rico, and the US Virgin Islands) that it controls. By highlighting nuances relat- ed to US governance in its federal districts and territories, Robles-Gor- don seeks to question who has access to resources, citizenship, and the right to sovereignty.
Robles-Gordon creates artwork imbued with a layered visual language replete with cultural signifiers and abstract gestures. Successions is a celebration of abstraction as an artistic expression. Robles-Gordon uti- lizes iconic artists like Robert Rauschenberg, Alma Thomas, Romare Bearden, and members of the Washington Color School as vivid refer- ence points for her own dynamic use of color, form, and material within the works she created for the exhibition. These explorations will provide insights into a number of inquiries that undergird the construction of the exhibition. Successions creates a pathway towards discursive crit- icism around issues impacting marginalized communities oppressed by the United States’ hegemonic domestic and foreign policies. The exhibition features a new body of colorful abstract paintings, collages, and quilts created in 2020 and 2021 between San Juan, Puerto Rico (Robles-Gordon’s birthplace) and Washington, DC (where she current- ly lives).
During the height of the COVID-19 pandemic, Robles-Gordon’s creative strategies were directly impacted as a result of sheltering in place in San Juan. The lack of access to materials and arduous circumstances she was confronted with in Puerto Rico and upon returning to Washington, DC catalyzed Robles-Gordon to impro- vise her approach to making works for the exhibition. Moreover, the ex- perience heightened her awareness of how communities on the margin are adversely treated during mo- ments of crisis.
Robles-Gordon’s also uses works featured in Successions to mine the stories, personal narratives, and aesthetics of the women of the Caribbean, particularly of African de- scent, in an effort to investigate the political, socio-economic, and envi- ronmental implications of placemaking, contemporary colonial policy, and notions of citizenship on these social groups. The debate over DC statehood, similar to Puerto Rico, has been a prevalent point of con- tention in the District but rarely featured in the national conversation. Robles-Gordon seeks to use her “backyard” as a metaphor that would
expand our understanding of notions of freedom, liberty, and justice.
A fully illustrated catalog with essays by Ossei-Mensah and Noel Anderson and in-person and virtual programs will accompany the exhibi- tion, enriching the viewer’s experience.
Artist Lecture: Amber Robles-Gordon
Hosted by American University Studio Art Department
Artist Website: https://www.amberroblesgordon.com/
Amber Robles-Gordon, MFA, is a mixed media visual artist, of Puerto Rican and West Indian heritage. Known for recontextualizing non-traditional materials, her assemblages, large sculptures, installations, and public artwork emphasize the essentialness of spirituality and temporality within life. Driven by the need to construct her own finite path, innovate and challenge social norms, her artwork is unconventional and non- formulaic. Ultimately her creations are representational of her personal experiences and the paradoxes within the imbalance of masculine and feminine energies within our society.
Robles-Gordon has over fifteen years of exhibiting, art education, and exhibition coordinating experience. She
received a Bachelor of Science, Business Administration in 2005 at Trinity University, and subsequently a Master’s in Fine Arts (Painting) in 2011 from Howard University, Washington, DC. At Howard University she received annual awards and accolades for her artwork.
She has exhibited nationally and in Germany, Italy, Malaysia, London, and Spain. Robles- Gordon is proficient in American Sign-Language and has traveled throughout the US, Latin America, the Caribbean, Europe, Northern Africa, and Southeast Asia. Her exhibitions and artwork have been reviewed and/or featured in the Washington Post, Washington City Paper, Washington Informer, Examiner, WAMU American University Radio, WPFW 89.3, MSNBC the grio, Hyperallergeric, Ebony.com, Houston Chronicle, Miami Herald, Huffington Post, Bmore Art Magazine, Callaloo Art & Culture in the African Diaspora and Sugarcane Magazine, Support Black Art and other various publications.
Robles-Gordon was also commissioned to create temporary and permanent public art installations for numerous art fairs and agencies such as the DC Commission on the Arts and Humanities, DCCAH, Northern Virginia Fine Arts Association (NVFAA), Humanities Council of Washington, D.C., Howard University, James C. Porter Colloquium, Schomburg Center for Research in Black Culture, the Washington Projects for the Arts, Salisbury University, Martha’s Table, DC Department of General Services and Democracy Fund. Additionally, she
has been commissioned and or featured to teach workshops, give commentary, and or present about her artwork by the Smithsonian Anacostia Museum, Luther College, WETA Television, Al Jazeera, WPFW 89.3fm, WAMU | American University Radio, The Kojo Nnamdi Show, Howard University James A. Porter Colloquium, David C. Driskell Center, the Phillips Collection, the African American Museum in Philadelphia, Mc Daniel College, Salisbury University, Harvey B. Gantt Center, Phillips Collection, American University, and National Museum of African American History and Culture.
Throughout her career, she serves as an advocate for the Washington, DC area arts community. From November 2004 through July 2012, Robles-Gordon has been an active member of the Black Artists DC, (BADC) serving as exhibitions coordinator, Vice President, and President. BADC, a 20-year old member organization of individual of Black-Afrikan ancestry, includes artists, arts administrators, educators, dealers, collectors, museum directors, curators, gallery owners, and arts enthusiasts. Robles-Gordon is also the Co- Founder of Delusions of Grandeur Artist Collective.
In 2010, Robles-Gordon was granted apprenticeship to create a public art installation with the DC Commission on the Arts and Humanities, D.C. Creates Public Arts Program. In 2012, Robles-Gordon was selected to present for the Under the Influence competition as part of
the 30 Americans Exhibition at the Corcoran Gallery of Art.
In 2016, Robles-Gordon was selected for a teaching residency by the Centro Cultural Costarricense-Norteamericano, Back to the Roots, in Limon, Costa Rica. In 2017, she was awarded an additional teaching residency with Washington Projects for the Arts and DC Public Schools. In 2018, Robles-Gordon spent two weeks in Thailand studying and photographing Thai art and culture. In January 2019, Robles-Gordon completed a two- week Artist/Scholar residency at the American Academy, Rome, AAR, Italy. At the end of this residency, Robes-Gordon was granted the opportunity to exhibit her completed work at AAR.
Further, in July 2019, she completed a two-month artist-in-residence and temporary public art commission, titled Fertile Grounds: Of Minds, Wombs, and of the Earth, at the Nicholson Project, artist residency program. In fall 2019, Robles-Gordon was commissioned by DC Department of General Services, for a public artwork at the Ida B. Wells Middle School, DC Public Schools. In Summer 2020, Robles-Gordon will be featured in the first online solo exhibition, Place of Breath and Birth, at Galleria de Arte, Universidad del Sagrado Corazón, (Sacred Heart University), in her birthplace of San Juan, Puerto Rico, (PR). This will be followed by a fall 2020, solo exhibition, Secession, at American University, Katzen Art Center.
Honfleur Gallery Honors Late Artist with Group Show
hen the late Michael Platt was alive, his house would be filled with artist friends, former and current students and the random mentee whom he would advise and encourage to take their creativity head-on.
His favorite directive? “Just do it!” So, some eight months after his sudden death in January, his wife and artistic collaborator Carole Beane decided that the imploring statement should be the title of the group show, made up of nearly 40 artists who were inspired, supported and motivated by Michael Platt.
Read MoreThe Studio Visit presents Amber Robles-Gordon
One of my favorite parts about working with The Studio Visit is the opportunity to get to know artists and learn more about their practice on a more personal, intimate level. I like to spend a little time before we begin a story to have a few one on one visits as well reading as much background information as possible.
Amber and I had this opportunity before we met at her studio on a warm overcast day to film a story about her life, work and process.
Amber Robles-Gordon is a multimedia visual artist with a joyful, positive, happy vibe. Her strikingly colorful work is a powerful fusion of ethnicity, identity, gender and cultural and social interests. Her childhood also informs her work which was filled with a wide range of challenges and the loving, nurturing support of her mother.
Read MoreIT TAKES A NATION
EXHIBITION DESCRIPTION
In the Alper Initiative space, Washington artists respond to the graphics of Black Panther artist Emory Douglas with sculpture, paintings, photography and multi-media installations. The exhibition features Emory Douglas and Howard University colleagues and members of the African Commune of Bad Relevant Artists (“AFRICOBRA”): Jeff Donaldson, Akili Ron Anderson, James Phillips, Jay Jarrell and Wadsworth Jarrell. Collectively, they create a powerful lens to the socio-political landscape of the late 1960s and 70s that helps to visualize the 1967 Black Panther Party 10-point platform addressing issues of freedom, employment, economic exploitation, affordable housing, education, war, police brutality, prison, due process, and access. The exhibition also includes artists examining these same issues 50 years later within a contemporary context, including: Holly Bass, Wesley Clark, Jay Coleman, Larry Cook, Tim Davis, Jamea Richmond Edwards, Shaunte Gates, Jennifer Gray, Amber Robles Gordon, Njena Jarvis, Simmie Knox, Graham Patrick, Beverly Price, Sheldon Scott, Stan Squirewell and Hank Willis Thomas.
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